“Insisting on themes of Indigenous survivance and the subversion of colonial space-time, Saunders’s narratives collapse the past, present and future into a multidimensional cosmos where the borders between real/fantasy and mythic/mundane are endlessly permeable.”

“Throughout, Sutherland exposes the enduring objectification and commodification of Black bodies by tracing the disturbing continuities between historical visual records of anti-Blackness and contemporary digital circulations that re-inscribe and reproduce this trauma. The argument is even more pertinent in the present context of digital technologies making images of war and everyday violence observable at speed and in real time.”